William Shakespeare & Robert Johnson – The Musical Collaboration

I’m grateful to Ed Kliman, one of our readers, for drawing my attention to the composer, Robert Johnson, the son of John Johnson, lutenist to Elizabeth I , who had a long working relationship with Shakespeare. The two men worked together on several of the plays, like a Renaissance Rogers and Hammerstein. We tend to […]

Shakespeare in Tofflerland – To App Or Not To App

Shakespeare in Tofflerland – To App Or Not To App 5Shakespeare lived and wrote his plays in the era that the American futurologist, Alvin Toffler, dubbed ‘the first wave.’ That was the agrarian period between the hunter-gatherer era and the industrial revolution. Toffler’s most famous book, The Third Wave, published in 1980, predicted the digital world that we live in today, where tiny bits of information are the basic units of life.
In our post industrial third wave universe information flies around the world and, indeed, through space, at the speed of light. What would Shakespeare have made of it? His imagination, huge and universal as it was, could not have imagined it. Even some of us, living right in the middle of the great digital revolution, regard emails and texts as magic. As I do. If I needed to, I could send an instant message to someone living in China but although I know how to do it I have no idea how it works. But just think about how one of the great tragic moments of literature would never have been written if the Elizabethans had had cellphones. Friar Lawrence’s message to Romeo, sent via a monk on a donkey, that Juliet is not dead but just drugged, and waiting for him to wake her up, goes undelivered: the monk is intercepted and quarantined  and is therefore unable to deliver the message. It’s a great dramatic device that leads directly to the tragic outcome of the play. Imagine, though, if Friar Lawrance had had a cellphone. He would just have sent a text. Romeo, a teenager, would, of course have been joined to his cellphone and received the message instantly. The tragedy would have been averted.

 

It’s not how Shakespeare’s plays would have been different if emails and texts had been available to their characters that is interesting, though, because the plays were rooted in a pre-third wave age and are what they are. More interesting is how Shakespeare relates to the digital technology of our time:

 

Filling the London theatres in the sixteenth century provided a remarkably large audience for Shakespeare’s plays. And when the plays were published in book form it created the opportunity for a wider audience. Some time after Shakespeare’s death his plays began to be performed in theatres that had no connection with those for which they were written. Performances spread to America, and then other countries – the British colonizers took Shakespeare with them wherever they went. And then the plays were taken up by the film industry and, after that, television, with increasingly bigger audiences.

 

Shakespeare was, by now, the biggest thing in the global culture but he was to become even bigger with the advent of the internet. There’s no stopping him, of course, and he’s become just about the biggest thing on the Web as well.

 

And now apps designers are working overtime on developing Shakespeare Apps. You can already get the complete works with the most up-to-date interactive technology, so now it’s all there on your Smartphone, available with a whisk of a finger.

 

You can get any sonnet as you wait in the doctor’s waiting room, together with unfathomable amounts of information about it. If you need more you can ask questions and get answers before you’re called in to the doctor. You can listen to bits of text read by the world’s greatest actors as you walk to the bus stop. By the time the bus comes you could have heard a host of experts telling you why that bit of poetry is so wonderful. You can get a virtual tour of Elizabethan Stratford-upon-Avon and an actual guided tour of Stratford as it is today. And the designers are creating new Apps every day.

 

Writing about the views he expresses about love in Sonnet 18, Shakespeare concludes: ‘So long as men can breathe, or eyes can see, so long lives this, and this gives life to thee.’ Little did he know the full truth of that, his works travelling triumphantly through every era’s technology, becoming new and fresh with each development. There is technology to come, well after our time, that we cannot imagine, but we can be sure that Shakespeare will live on in all of it.

Justin and Selena – A Modern Day Romeo and Juliet

Justin and Selena – A Modern Day Romeo and Juliet 7Shakespeare enthusiasts who follow the doings of celebrities – their courtships, marriages, divorces, births and deaths – might be struck by the Justin Bieber and Selina Gomez pictures and stories that are currently filling celebrity websites and magazines. They have broken up and they’re being compared with Shakespeare’s star-crossed lovers, Romeo and Juliet. Indeed, pictures of them together could be publicity photos for a modern film version of the play.

The two years they have been dating is a long time in terms of teenage relationships. Romeo and Juliet lasted only a few days. It’s unfair to quote them, though, because of the tragic circumstances, ending in their deaths. It’s unlikely that Bieber and Gomez had to face anything like the problems that confronted Shakespeare’s famous teenage lovers.

Recent research has revealed that teenage love wilts within a year in most cases and, of course, that’s to be expected when one considers that it’s a time of life when change and development is very rapid. In fact only four percent of women and one percent of men advance from a teenage romance to marriage. So the two years of love enjoyed by Bieber and Gomez is quite an exceptional thing, particularly as young Justin’s fame has been meteoric and the adoration of his fans intense.

Scientists studying the brain tell us that the frontal lobe, which governs reasoning and judgment, isn’t fully developed until the early 20s. And so teenage love is particularly intense and reckless. Shakespeare knew that, of course, as he knew just about everything there was to know about the human condition. If he had made his star-crossed lovers twenty-somethings it wouldn’t have rung true. They would have perhaps been more like you and me, and therefore not as interesting as the young celebrities. Selina Gomez is now in her 20s and Bieber is getting there so we can heave a sigh of relief and look forward to the more relaxing stories about them that we get with other celebrities.

World Shakespeare Festival in Pictures

As the summer-spanning Shakespeare extravaganza that is the World Shakespeare Festival comes to an end in the UK we’ve flicked through the NoSweatShakespeare facebook page to pull together a selection of our favourite moments from the festival. With over 70 productions and exhibitions, 50 theatre companies and thousands of international artists there was certainly plenty of choice, but the ten images below showcase the breadth and imagination of Shakespeare productions around the world.

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Play 1 of 37 at the World Shakespeare Festival: New Zealand's Ngakau Toa theatre company perform the first ever 'haka' at London's Globe theatre.

 

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A classic kiss - Miranda & Ferdinand in the RSC's World Shakespeare Festival production of The Tempest.

 

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The Taming of The Shrew from Pakistani Theatre Wallay - KASHF. Rich colour and energy with live singers and musicians makes for an uplifting version of the first romcom!

 

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A visually stunning Brazilian interpretation of Shakespeare’s Richard III for World Shakespeare Festival

 

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A rolly-polly Falstaff spearheads a visually intoxicating Merry Wives of Windsor, performed in Swahili and brought to the Globe from Nairobi, Kenya, by the Bitter Pill company.

 

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Yohangza Theatre Company represent South Korea in the World Shakespeare Festival's latest show - would you have guessed it's A MIdsummer Night's Dream?

 

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Shakespeare in Hindi? The Company Theatre offer just that in their performance of Twelfth Night at the World Shakespeare Festival...

 

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Gujurat Arpana theatre group mix live music, dance and acting in their first UK production at the World Shakespeare Festival - All's Welll That Ends Well

 

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The South Sudanese Theatre Company - from the world's newest country - perform Shakespeare's Cymbeline, a play about Italian and Celts in Arabic.

 

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The Gabriel Sundukyan National Academic Theatre of Armenia offer their take on King John on their first visit to the UK.

 

 

That’s your lot folks! Which was your favourite production from the World Shakespeare Festival?