Early Greek comedy was in sharp contrast to the dignity and seriousness of tragedy. Aristophanes, the towering giant of comedy, used every kind of humour from the slapstick through sexual jokes to satire and literary parody. Unlike tragedy, the plots didn’t originate in traditional myth and legend, but were the product of the writer’s creative imagination. The main theme was political and social satire. Over the centuries comedy moved away from those themes to focus on family matters, notably a concentration on relationships and the complications of love. Such a universal theme was bound to survive and, indeed, it has travelled well, from Greece through Roman civilization and, with the Renaissance preoccupation with things classical, into Renaissance Europe, to England and the Elizabethans, and into the modern world of the twentieth and twenty first centuries, where we see Greek comedy alive and well in films and television.

Shakespeare’s comedies (or rather the plays of Shakespeare that are usually categorised as comedies), just as in the case with he tragedies, do not fit into any slot. They are generally identifiable as the comedies of Shakespeare in that they are full of fun, irony and dazzling wordplay. They also abound in disguises and mistaken identities with very convoluted plots that are difficult to follow (try relating the plot of A Midsummer Night’s Dream to someone!), with very contrived endings.

Any attempt at describing these plays as a group can’t go beyond that superficial outline. The highly contrived endings are the clue to what these plays, all very different, are about.

Take The Merchant of Venice for example – it has the love and relationship element. As usual there are two couples. One of the women is disguised as a man through most of the text – typical of Shakespearean comedy – but the other is in a very unpleasant situation – a young Jewess seduced away from her father by a shallow, rather dull young Christian. The play ends with the lovers all together, as usual, celebrating their love and the way things have turned out well for their group. That resolution has come about by completely destroying a man’s life. The Jew, Shylock is a man who has made a mistake and been forced to pay dearly for it by losing everything he values, including his religious freedom. It is almost like two plays – a comic structure with a personal tragedy embedded in it. The ‘comedy’ is a frame to heighten the effect of the tragic elements. The Christians are selfish and shallow and cruel beyond imagination and with no conscience whatsoever. This is the use of the comic form to create something very deep and dark.

Twelfth Night is similar – the humiliation of a man the in-group doesn’t like. As in The Merchant of Venice, his suffering is simply shrugged off in the highly contrived comic ending.

Not one of these plays, no matter how full of life and love and laughter and joy, it may be, is without a darkness at its heart. Much Ado About Nothing , like Antony and Cleopatra (a ‘tragedy’ with a comic structure) is a miracle of creative writing. Shakespeare seamlessly joins an ancient mythological love story and a modern invented one, weaving them together into a very funny drama in which light and dark chase each other around like clouds and sunshine on a windy day, and the play threatens to fall into an abyss at any moment and emerges from that danger in a highly contrived ending once again.

Like the ‘tragedies’ these plays defy categorisation. They all draw our attention to a range of human experience with all its sadness, joy, poignancy, tragedy, comedy, darkness, lightness, and its depths.

Shakespeare’s Comedy Plays

6 replies
  1. rex
    rex says:

    Just like many stories, Dickens, say, and films, there are the bad guys and the good guys. The good guys win and the bad guys come to a sticky end. In Shakespeare terms the above text’s description of a comedy is pretty well-defined in general, the main point being the happy outcome for the good guys. However, in paragraph 4 above, referring to Merchant of Venice, the writer states that poor Shylock, because of one mistake, is punished severely and that the Christians are ‘selfish and shallow and cruel beyond imagination’. The play makes clear why Shylock was universally loathed, and his little mistake was to cheat a young businessman into forfeiting a lump of his flesh against defaulting on a loan that the young man borrows to help his best friend. Shakespeare does allow Shylock to say why he hates everybody so. But in the end, in insisting on his ‘pound of flesh’, and accepting no alternative, including many times the amount of money he lent, Shylock shows himself to be a nasty piece of work. He wants vengeance. The main Christian characters, Antonio, Bassanio, Portia, are all clearly shown to be high-minded, forgiving, selfless people, who, hoping at the trial to persuade Shylock to show mercy, offer generous concessions. But his own stubbornness invites his punishment, in the form of fines. Fines are justified punishments, not cruel – especially considering that he wanted to cut out a piece of a living person’s body to make a point. Part of the money the judge takes from him is intended for Shylock’s intended victim, Antonio. But Antonio foregoes the amount and asks that it be given to Shylock’s daughter, Jessica, who, we must point out to the above writer, ran away from her dominating father to marry another decent Christian, Lorenzo, who was in love with her.
    Watch out for careless information. Read the play.Also, remember the saying ‘the past is another country’. We must see the characters as Shakespeare did, in the times he lived in, not through our own eyes, in our own imperfect times.

  2. tristin
    tristin says:

    who wrote this i you write it shouldn’t you put your name and be proud of what you did just saying and i need it for a project

  3. Olivia Samer
    Olivia Samer says:

    My cousin is learning about Shakespeare for her GCSE’s and the book she chose to write an essay about was ‘Much Ado About Nothing’ and she is really, really enjoying it. She goes on your website to study!


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