Take your pick of Shakespeare’s sonnets below, along with a modern English interpretation of each one aid understanding.
Shakespeare wrote 154 sonnets published in his ‘quarto’ in 1609, covering themes such as the passage of time, mortality, love, beauty, infidelity, and jealousy. The first 126 of Shakespeare’s sonnets are addressed to a young man, and the last 28 addressed to a woman – a mysterious ‘dark lady’.
What is a Shakespearean sonnet?
Shakespeare’s sonnets are poems of expressive ideas and thoughts that are layered with multiple meanings, and always have two things in common:
1. All sonnets have fourteen lines
2. All sonnets are written in iambic pentameter
Read all 154 of Shakespeare’s sonnets
Take your pick from the list of Shakespeare sonnets below (or learn how to write a sonnet of your own!):
This complete collection of 154 sonnets with explanations is available in an ebook to download now.
Famous Shakespeare Sonnets
Shakespeare published 154 sonnets, and although they are all poems of the highest quality, there are some that have entered deeply into the consciousness of our culture to become the most famous Shakespeare sonnets. This handful of sonnets are quoted regularly by people at all levels of modern western life – sometimes without even realizing that they are quoting a line from Shakespeare.
In our humble opinion the 8 sonnets below represent Shakespeare’s most famous words in the sonnet form:
Sonnet 18: Shall I compare thee to a summer’s day?
Perhaps the most famous of all the sonnets is Sonnet 18, where Shakespeare addresses a young man to whom he is very close. It would be impossible to say whether Shakespeare was an arrogant man because we don’t know what he was like. We also don’t know whether he thought he was the ‘great,’ immortal writer that we regard him as today. However, after describing the young man’s great beauty, he suggests that his poetry is ‘eternal’ and ends by stating that as long as there are people who can still read, the sonnet, and therefore the description of the young man’s beauty, will still be there.
Sonnet 30: When to the sessions of sweet silent thought
An interesting take on aging and love. The narrator describes the things that people agonize over as they descend into old age – all the regrets and the pain of reliving the mistakes he has made. It’s full of agony but when he thinks about his beloved all the regrets and pain evaporate.
Sonnet 33: Full many a glorious morning have I seen
This is a poem about loss; the loss of a loved one. Shakespeare approaches it by expressing the contrast in the way we feel when the morning sun is shining brightly and when it’s obscured by clouds, making the world a forlorn place. When he was loved by the beloved it was like the glorious morning, but now, having lost the beloved, it feels like an overcast and gloomy morning. He concludes that he doesn’t condemn the beloved because human frailty, even among the best of humanity, is just as much a part of nature as the obscuring clouds are.
Sonnet 73: That time of year thou mayst in me behold
The narrator of Sonnet 73 is approaching death and thinking about how different it is from being young. It’s like the branch of a tree where birds once sang but the birds have gone and the leaves have fallen, leaving only a few dry yellow leaves. It’s like the twilight of a beautiful day, where there is only the black night ahead. It’s like the glowing ashes of a fire that once roared. The things that one gave him life have destroyed his life. From that experience, he has learned that one has to love life as strongly as one can because it will end all too soon.
Sonnet 104: To me, fair friend, you never can be old
Here Shakespeare expresses the love one person has for another by showing how the beauty of the beloved doesn’t change in the eyes of the lover. He shows time passing through the seasons and the years, everything changing. Except for the beauty of the beloved. He goes further by saying that no matter how long the world will endure, even though the beloved is long dead there will never be another as beautiful.
There are two striking definitions of love that we refer to again and again. Perhaps the most popular of the two is in Paul’s letter to the Corinthians (Corinthians 13: 4-8):
Love is patient, love is kind; love is not jealous or boastful; it is not arrogant or rude.
Love does not insist on its own way; it is not irritable or resentful; it does not rejoice at wrong, but rejoices in the right.
Love bears all things, believes all things, hopes all things, endures all things.
Love never ends.
Paul’s text is as well known as Sonnet 116 because it is used in most weddings as the young couple stands before the minister. But Shakespeare’s sonnet employs an amazing array of poetic devices to convey the eternal nature of love. Shakespeare ends by staking everything on his observations about love by asserting that if he is wrong about it then no-one ever wrote anything and no-one ever loved.
Sonnet 129: The expense of spirit in a waste of shame
Sonnet 129 is an interesting take on the imperative force of lust, but its ultimate shallowness. Everyone knows how shallow and guilt-producing lust is but very few men can avoid it. Shakespeare shows how lust brings out the very worst in people and the extremes they will go to. And then he explains the guilt that follows the satisfaction of one’s lust.
Sonnet 130: My mistress’ eyes are nothing like the sun
Shakespeare is expressing the kind of love that has nothing to do with the beloved’s looks. He satirizes the usual way of expressing love for a woman – praising her lips and her hair, the way she walks, and all the things that a young man may rave about when he thinks about his beloved. What he does is invert those things, assert that his beloved is ugly, ungainly, bad-smelling, etc, but ends by saying that his love for her is as ‘rare’ as that of any young man who writes flatteringly about the object of his love.
Publishing Shakespeare’s Sonnets
A widely held belief contends that Shakespeare’s sonnets were published without his consent. Had Shakespeare endorsed their publication, many believe he would have provided their printer with an authoritative text and a dedication. However, “Shakes-peares Sonnets” contains no dedication from the author and the text has many errors. Some critics also maintain that some sonnets are unfinished and that the sequence is too incoherent to have been intended for publication.
Exponents of this view have argued that someone whom Shakespeare trusted betrayed him by giving the poems to their first publisher, Thomas Thope, or that a thief, perhaps motivated by animosity or personal profit, seized the poets manuscript and sold it on. Some hold that the publication of the sonnets surely upset Shakespeare, whose poems dealt with scandalous forms of love; homoerotic and adulterous. Others variously insist that these subjects are more shocking to post-Victorian readers than to Jacobean ones; that, whilst the sonnets voice strong feelings, these were entirely appropriate to the form; and that emotions expressed in his sonnets do not mirror Shakespeare’s own any more than those of dramatic characters in his plays.
Who Were The Shakespeare Sonnets Dedicated To?
Certain features of the sonnet form – not least the first-person narrative and themes of love – give the impression of offering direct access to their author’s inner world. Since there has long been intense curiosity about the ‘youth’ addressed in the sonnets, clues to his identity have also been extracted with no little strain from the frontispiece of the first edition. The author of this dedication, T.T, was Thomas Thorpe, the publisher. But the identity of the “begetter” of the sonnets, “Mr W. H.” remains a mystery. Some think this is a misprint for “Mr W. S.” or “Mr W. Sh.”, as in William Shakespeare. Others suspect that the “begetter” refers to the scoundrel who may have conveyed the poems to Thorpe against Shakespeare’s wishes. But the most widely held assumption is that the “beggetter” must be the person who inspired the “ensuing sonnets”, the majority of which address a young man.
Working from the scant evidence offered by the initials W. H., literary detectives have proposed many candidates. One is Henry Wriothesley, Earl of Southampton, to whom Shakespeare dedicated Venus and Adonis and The Rape of Lucrece in the mid-1590s. Another is William Herbert, Earl of Pembroke, whose name figures among those to whom the First Folio was dedicated in 1623. A third candidate is Sir William Hervey, stepfather of the Earl of Southampton, who may have commissioned lyrics urging the young man to marry and produce an heir – the first 17 sonnets of the sequence treat this theme. Of these candidates, however, two were earls and one was a gentleman, referred to as “Sir”. None would have been called “Mr” save by error or to suggest intimacy. In the end, these probing enigmas of Shakespeare’s sonnets are forced to speculate; information is poor, scarce and inconclusive.
The numbers behind the sonnets
Who knew that Shakespeare’s sonnets and mathematics were so linked?
In the super-interesting video below, Professor Roger Bowley talks about the tight constraints – and shape – that numbers gave to Shakespeare’s sonnets.
What’s your take on the Shakespeare sonnets listed above? Let us know by joining in the conversation in the comments section below!